Judd Morrissey is a writer and code artist whose works of electronic literature, interdisciplinary performance, and installation have been widely and internationally presented. He is the creator of digital literary works including The Operature (web version in-progress), The Precession: An 80 Foot Long Internet Art Performance Poem (2009-2011), The Jew's Daughter (Electronic Literature Collection, 2006), My Name is Captain, Captain (Eastgate Systems, 2002), and The Last Performance [dot org] (2009), a collaborative writing, archiving, and text-visualization project for which he was a recipient of the inaugural Creative Capital / Andy Warhol Foundation Arts Writers' Grant in 2007. He is the co-founder of the collective Anatomical Theatres of Mixed Reality (ATOM-r) who are in a long-term residency at the National Museum of Health and Medicine Chicago.

Judd received his MFA from Brown University. His work has been included in a broad range of festivals, conferences and exhibitions with recent venues including Zero1 Garage (San Jose), Eyebeam (NYC), Le Cube (Paris), Casa das Caldeiras and Sonoscopia (Portugal), Anatomy Theater & Museum (London), Performig House (York, UK), Center of Contemporary Culture Barcelona, Museum of Contemporary Art Chicago, Landmark Kunsthalle (Bergen), House of World Cultures (Berlin), Teatre & TD (Zagreb), and the Chicago Cultural Center. His work has been the subject of numerous critical studies and reviews have appeared in the New York Times, The New Republic, RAINTAXI, and the Iowa Review.

He teaches as an Assistant Professor at the School of the Art Institute of Chicago in Art and Technology Studies. In 2013-14, he was the US Fulbright Scholar in Digital Culture at University of Bergen, Norway. He was a member of the seminal performance group Goat Island from 2004 until 2009 when the company disbanded.